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Messages - Svevan

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26
General Chat / Re: Watchmen
« on: August 24, 2008, 04:05:23 AM »
So I finally read The Dark Knight Returns as recommended by ShyGuy (got it in the mail today and ate it up!) - I thought it was really good DRAMATICALLY, and I love having it on my shelf next to Watchmen (totally agree, Shy, about the connections between the two works), but I'm not sure I can get behind the implicit moralization of Batman in this story (similar to the film "The Dark Knight"). I think Miller's romanticization of the vigilante, and his moral equivocations about doing evil for the sake of doing good are all vaguely distasteful - is that what I'm supposed to feel? This is Batman after all, am I supposed to hate him as much as I did after reading this book? Sure I admire the guy (even love him), and can totally sympathize with his split personality, but in the end Batman seems to take a forgiving attitude towards The Sons of Batman and The Mutants, while completely dismissing the police and government for "failing" at their duty.

I recently watched a film that brought up similar thoughts called "The Life and Death of Colonel Blimp." It's a British film about a General who feels satisfied when the British womp the Germans after WWI because the British used "good honest soldiering" in the face of Germany's underhanded tactics. Yet he is forced to rethink his ideals by the end of the film (as WWII begins and "good honest soldiering" just isn't cutting it anymore), and though I might agree that new kinds of enemies = new kinds of warfare, I don't think calling something "supremely evil," over and above every other thing, justifies any and all forms of force. After all, isn't that what Hitler did? It seems every Batman story (all the films, plus this and Year One) start with a depiction of Gotham City as the single most terrible place EVER. Like, Fallujah or Beirut or something. The evil there is so overwhelming that normal crime-fighting just can't help, and "desperate measures" are called for. I have a friend who says he sympathizes more with Jack Nicholson's character in A Few Good Men every time he watches it. Personally, I get sick to my stomach every time he says that.

Let's tie this back to Watchmen, where Rorschach is perhaps given the status of hero, yet he is Batman-esque in his willingness to do violence for the "greater good." (He's also 100% less appealing as a character.) Yet at the end he REJECTS Veidt's plan to do violence against New York because for him TRUTH is far more important than convenience. Similar to modern debates we have about "enhanced interrogation" (and I say this just for reference, not to make a moral claim about the current debates on "torture" or to begin a discussion. I'm just saying it's related*).

*and more than a little interesting that Frank Miller (who wrote DKR, not Watchmen) supported the War in Iraq as a retaliatory action for 9/11 (I'M JUST SAYING!).

Also, as a final note, the trailer for Watchmen looks like total suck. I'll probably go see it opening weekend, but mang, it's really too bad it looks like 300 + Superheroes.

Rechristening this the generic Comic Books thread. In a little while I may bring up Scott McCloud, Maurice Sendak, Tintin, and some others. I'm on a comics kick right now, taking suggestions! I just bought Maus, am looking to dive into Daniel Clowes, some Chester Brown, some Osamu Tezuka (probably Buddha), some Dave Sim, Eisner, Satrapi, etc.

Also, Shy, after reading DKR, I really really really want to read the sequel. Can I please have your permission?

27
The debate between FF IV and VI will go on forever (I pick neither, and put Chrono Trigger and Earthbound only inches above SMRPG). SMRPG's strength is definitely not its difficulty or its battle system; instead it wins, like Earthbound, on sheer personality, story-telling, charm, graphics, and above all MUSIC. This is the only game that truly humanizes Bowser, that makes the Mushroom Kingdom seem like a REAL place rather than a collection of disconnected levels, that takes the idea of "events" in RPG storytelling (mine cart ride, Midas Falls, Booster Tower, the Sunken Ship!) to its highest level (I forgot Marrymore!). It is far and away one of my favorite SNES games of all time. And above all the MUSIC!

28
NWR Forums Discord / Re: An Experiment
« on: August 23, 2008, 01:15:31 AM »
Crimm, remember when we Katamari-ed the new Funhouse? Good times

29
I just recently purchased another SNES (old one broke) for pretty much one reason: THIS GAME. Like the poster above, I have probably played through it quite a few times (at least 3) and I have half a mind to delete my current save file (which has been untouched since 2004) and just start all over.

THIS GAME IS MAGICAL. EVERYONE SHOULD HAVE EIGHT COPIES.

30
General Gaming / Re: Official NWR PAX 2008 Thread
« on: August 22, 2008, 05:31:39 PM »
Ugh, gamers, the only group that thinks funny/logo t-shirts are the epitome of high fashion.

31
General Chat / Re: Why is nobody talking about the Olympics ?
« on: August 21, 2008, 04:15:36 PM »
Are you saying that might makes right?

....when did you become an American?

32
General Chat / Re: Why is nobody talking about the Olympics ?
« on: August 20, 2008, 08:40:11 PM »
Same goes for Tennis, which is essentially international.

33
TalkBack / Re: The Problem with GameFly
« on: August 20, 2008, 07:09:44 AM »
Fun story on how much Blockbuster just doesn't get movies.

edit: I love the argument that the consumer only wants new releases, and only likes certain types of movies. Well when studios EXCLUSIVELY produced those types of movies, and movie distribution in our day is so heavily geared towards fast money weekends and new release rental sales, it's no wonder the public has no idea that there were movies made before 1992 (and that they might like them!).

34
General Chat / Re: Why is nobody talking about the Olympics ?
« on: August 19, 2008, 08:40:07 PM »
if there's one place that the Western world should NOT unite in, it's fucking CHINA.

No, we should just send all of our jobs and money there and have them send us all their cheap, lead coated, plastic crap. ;)

QFT. The only reason we aren't boycotting the Olympics this year is because of the huge financial hit to NBC and its sponsors, most of whom have business ties with China. So instead of protecting America's ideals through a powerful pro-human rights boycott, our country has decided to protect its economic interest. WAY TO GO USA.

35
TalkBack / Re: The Problem with GameFly
« on: August 19, 2008, 03:15:55 AM »
uh....let me know how you like Caligula....

36
Nintendo Gaming / Re: Sega to unveal new Wii game tommarrow.
« on: August 19, 2008, 12:12:31 AM »
When the **** is tommarrow?

It's the time when we start unvealing, ie, throwing up after eating veal.

37
TalkBack / Re: The Problem with GameFly
« on: August 18, 2008, 11:59:04 PM »
Evan, I got that number from Netflix's own website.  Where did you find a list of 55?

Associated Press, though they use the phrase "shipping center." Perhaps there's a difference between those and a "distribution center?"

As for Netflix not carrying all those niche directors and films, keep in mind that some of that material isn't available on DVD at all, and in other cases, there is no Region-1 version available.  My taste in film isn't as exotic as yours, but it is quite diverse and at times relatively obscure; I've almost never found a desired selection to be unavailable at Netflix, although the availability is occasionally limited.

Jonny and Morari: Don't let me understate the great number of obscure films available on Netflix. It is far and away better than renting locally. However, all the directors I listed above in my last post have DVDs available currently in Region 1. Les Blank and Agnes Varda may not be HUGE names, but John Cassavetes is the father of independent cinema, and only in the last month have some of the films he directed (he also was an actor) become available, despite their presence on DVD for years. In the end you guys are right, though. There's plenty to pick from, and I get lost in my giant queue. What would REALLY open up the service is Region 2 DVDs - Britain has half of the great films all to themselves on DVD.

edit: my point in bringing this up in a discussion about GameFly is how this is a problem that a videogame service can totally sidestep. There's simply no such thing as an "independent" game of any stature (they're being funneled into browsers and console download services), similar to the non-existence of "independent movies" until the 60s. 

I don't the buy the throttled claims. I have the three-at-a-time plan and usually end up sending all three back the same day I get them, or the very next day. I regularly go through six discs every week, and have for the two years that I've been a paying member, yet haven't seen any indication that I am actively being throttled.

Throttling exists. Netflix just lost a lawsuit about it. Perhaps it hasn't happened to you for the same reason it hasn't happened to Jonny - (relatively) obscure titles? Also, the people who get throttled usually are on a plan higher than three-at-a-time. We're talking EXCESSIVE movie watching.

side rant: the word "independent" is a total misnomer. Almost all of the films labeled "independent" are financed or purchased for distribution by a giant studio like 20th Century Fox or Dreamworks or Warners, but they hide the film under their "independent" branch. Nevermind that some of these companies (Fox, Time Warner, Disney) are the biggest conglomerates in THE WORLD. So if we're talking Little Miss Sunshine or Juno here, don't talk to me about "independent." If your movie has Greg Fucking Kinnear in it, it's not an independent film.

38
General Chat / Re: Why is nobody talking about the Olympics ?
« on: August 18, 2008, 11:51:06 PM »
The Olympics committee is generally corrupt, and this year only proved it. I usually watch with passing interest each year it's on, but this year I avoided it entirely. Major athletics like these are a joke anyways (for instance, there's no way to fully test for drugs on any of the competitors), and China has run an Olympics farm (read: concentration camp) "training" their people to win win win or else they don't get to see their families. Overall, I like the idea of many countries coming together to "unite" in something as beautiful as athletics, but it's become such a dishonest, money-driven enterprise, and if there's one place that the Western world should NOT unite in, it's fucking CHINA.


39
TalkBack / Re: The Problem with GameFly
« on: August 18, 2008, 11:40:19 PM »
I don't know where you got the 18 distribution centers quote - there are 55, at least one in each state (unless we're defining "distribution center" differently), including one in Medford, my hometown and current location (pop. 70,000). (note: the business is based, in part, out of Beaverton in Northern Oregon)

Netflix hasn't always been as good as it is now - five years ago, when I first used the service, it would take roughly a week (four to six days) of total turnaround time. Netflix's size and efficiency has increased as its popularity has grown (unless, of course, you rent a ton of movies at high speed and get throttled), and GameFly just doesn't have that kind of audience. It's also important to note that in those five years, Netflix's prices have gone DOWN, not up, so at one time the service was worse AND more expensive. I think GameFly is suffering from growing pains.

It seems to me that GameFly's slower turnaround would serve videogames moreso than movies because of the amount of time it takes to play a game. If you play through a lot of games and don't feel compelled to purchase everything except the best, and use the two-at-a-time plan as you suggest, then you could conceivably use GameFly to replace your normal purchasing habits. With no late fees, the price sounds supremely reasonable.

Please note, however, that I've never used GameFly. I have been a loyal Netflix-er for years, however, and aside from the mainstream-oriented movie selection, I have only seen the service improve. One day I'd like them to include a "NicheFlix" style service that rented multi-region DVDs and older foreign movies. There are plenty of "big-name" directors that have limited or no Netflix representation: John Cassavetes, Todd Haynes, Costa-Gavras, Agnes Varda, Les Blank, et al.

40
NWR Feedback / Re: Virtual Console Mondays?
« on: August 16, 2008, 02:46:29 AM »
I'm glad staff is publicly blaming others for problems with the site (not bitter!). In my defense, every week this year three **** games got released on VC, and for three months I bought on average three or four games a month. I was constantly begging the rest of the staff to pick up the slack and sometimes I would go two whole weeks without help. I don't blame them, NO ONE wants to pay money just to do a regular feature. When school started I had neither the finances nor the drive to continue. I'm not even really a staffer anymore, sob sob. ANYWAYS that's the full story.

41
General Chat / Re: So...the Dark Knight?
« on: August 12, 2008, 08:42:43 PM »
I don't see the article as validating my opinion. In fact I think he's too positive on the film. But it's still a great article.

42
NWR Forums Discord / Re: Mr. Adolph Vega
« on: August 11, 2008, 09:15:27 PM »
Of course, we do want to ENCOURAGE everyone to report anything that is against the rules. With all the attentive posters and many mods we have here, things get taken care of pretty quick.

43
General Chat / Re: So...the Dark Knight?
« on: August 11, 2008, 09:06:54 PM »

44
General Chat / Re: So...the Dark Knight?
« on: August 10, 2008, 09:07:14 PM »
I'll admit. I like Svevan. It's just that most people of his major tend to develop movie tastes designed to piss off everyone else.

This is an assumption about motive that you can't prove.

Also, my majors are Art History and Poli-Sci. Unless I xfer to a school with a good film studies program.

Film majors may be pricks, but that does not negate their taste.

45
NWR Forums Discord / Re: Mr. Adolph Vega
« on: August 10, 2008, 09:05:23 PM »
Quote
Dasmos, your rallying cry for mass reporting of posts is as much a threat as ShyGuy threatening to report yours. Both of you are wasting our time. Stop it.

Anyone reporting posts without legitimate reason is breaking the rules and subject to banning. SUPER started this thread himself and it is fully within his power to ban this guy if he wants. Do not try and get the rest of the staff involved. CEASE AND DESIST.

I really do not think ShyGuy is serious.

my mistake: we had an onslaught of reported posts in our mailbox, and I thought one of them was from Shy. It wasn't. Grrr at everyone else.

46
NWR Forums Discord / Re: Mr. Adolph Vega
« on: August 10, 2008, 04:09:46 PM »
Okay, I have had enough. This guy just needs to go.

I've started reporting all his posts. I urge you to follow suit.

I'm going to report all of Dasmos posts.

I'm going to report all of Dasmos posts.

Reported for making threats.

Dasmos, your rallying cry for mass reporting of posts is as much a threat as ShyGuy threatening to report yours. Both of you are wasting our time. Stop it.

Anyone reporting posts without legitimate reason is breaking the rules and subject to banning. SUPER started this thread himself and it is fully within his power to ban this guy if he wants. Do not try and get the rest of the staff involved. CEASE AND DESIST.

47
General Chat / Re: So...the Dark Knight?
« on: August 10, 2008, 03:47:06 PM »
I love plenty of movies. Find me on Flixster, or check my viewing log on IMDB. There you'll see that I've rated nearly 300 movies as either 9s or 10s (meaningless numbers, but good for memory). I've only rated 100 movies under a 5.

People just think I hate movies because I don't like the ones THEY like. And the same is thrown back at me, that I don't respect other people's taste (one must always admit that one could be wrong, and I will do that right now: I could be completely wrong about movies).

I just don't think today's cinema is a "matter of taste:" we're being told what to like, and we're extremely limited in what we can see in the theatre (limited by the financial influence of big studios out to make a buck). Almost no one watches the greats (be they old or new) and prefers superhero/blockbuster schlock. I tell you, none of the box office top 10 from 2007 will enter the "pantheon" while at least three from the 1967 list had already done so by the end of that year. (And this isn't to say that 1967 wasn't plagued with advertising, hype, and poor moviemaking: some of the films on that list are pretty bad).

And since I'm being defensive, here's a list of some modern (2000 or later) films I love:

Bourne Supremacy
Eastern Promises
Finding Nemo
Gosford Park
A History of Violence
Lost in Translation
Master and Commander
No Country for Old Men
Ratatouille
Solaris
AI: Artificial Intelligence
Atonement
Changing Lanes
Dawn of the Dead
The Departed
Grindhouse
Knocked Up
Match Point
Michael Clayton
Minority Report
Million Dollar Baby
Shaun of the Dead
Spider-Man 2
There Will Be Blood
Zodiac
any Harry Potter movie (though some are better than others)

and many more lesser known or foreign-language films as well.

TDK is a fine movie, but it is lacking in geographical editing (can't tell wtf is going on half the time, though like I said it's way better than the practically abstract Batman Begins); has way too much preaching and faux-philosophical dialogue (Shy: just cause people can't agree on what the movie's "moral" is doesn't mean it's not moralizing. Confusion on the movie's part shouldn't be misunderstood as ambiguity.); and has such a dead climax. The action scene in the middle of the film was way better than the one at the end. Two-Face wasn't an interesting character post-transformation, though Joker was interesting from start to finish (especially because he didn't have an origin story: he was just THERE). There's a lot to like about this movie, but if it wasn't Batman it wouldn't make half the money.

edit: BTW, I never watch comedies on DVD cause they're never as funny without a big group of people. Big screen or never. The way action films like LotR and the Batman flicks are edited, I would almost prefer to watch them on a small screen, cause then I might be able to follow what's happening. And finally, Brandogg: I can't get over that you can call The Graduate crap without even so much as a defense. I don't think it's the second coming of Christ, but it's a damn fine movie (better than 300, or any Pirates film).

edit again: it's entirely possible to be too negative about movies, but whether I'm positive or negative I get called names. So what to do....

48
General Chat / Re: So...the Dark Knight?
« on: August 09, 2008, 08:18:37 PM »
The money's not the point (though adjusted for inflation would be interesting); the types of films present on each list is the point.

49
NWR Forums Discord / Re: Imagine NWR Chatz
« on: August 09, 2008, 03:26:46 PM »
Rimmer don't deserve his trivia prize

and I'm lazy

50
General Chat / Re: So...the Dark Knight?
« on: August 09, 2008, 01:39:01 PM »
b and c

GWTW is a pretty damn good movie, with some serious flaws (again a studio made product). Far from the best film ever made, which was what producer David O. Selznick stated he intended to make (so he poured millions into it and fired directors that didn't make it to his specifications).

I'm sure they're well aware of that, Evan. Your post reminded me why I don't come on NWR as often as before.

My post was semi-tongue in cheek, yours is deliberately cutting. Why is popular opinion allowed, but contrary opinion booed?

edit: the point of my post is that The Dark Knight does not deserve the acclaim or money it is getting. It's a good film, and nothing more. The second time I saw it I fell asleep. Too much moralizing, too little Heath Ledger. It may go on to be the highest grossing film of all time: what's funny is that we used to pay money to go see romances, dramas, and "auteur" or "art" films. Post-Jaws and -Star Wars we only go to see special effects and swashbuckling adventure. Check the top 10 box office reports for every year from the 40s to now and notice a SERIOUS shift around the late 60s and again in the 70s. Now movies are entirely marketed to the 13 year old boy, because he has the most disposable income, and if you don't share his taste, you are "weird." Notice that The Dark Knight wants to be a gritty Batman tale but is rated PG-13? The director signs a contract guaranteeing the studio that specific rating (because it has the most box-office potential), so either he deliberately sanitizes his vision so it does not cross an imaginary "R-Rated" line, or he manipulates the MPAA to give him the rating he wants (something Spielberg can do by just showing up at their offices and saying "I made this movie, give me my rating." see: Transformers, where he was a producer.) Money talks. Art is a whore to commerce, so this is the stuff that gets the most play (and let's not pretend that the "prestige" pictures released in Nov/Dec for Oscar consideration are any better).

Used to be a studio would release a film then let it play for weeks hoping that word of mouth would catch it. Now movies are advertised for months (or over a year, see: The Dark Knight) prior to release so the studio can get the most money out of opening weekend. There is no such thing as a "long-run" in the theatres anymore. Either you're an instant hit (which is directly correlative to the amount of money spent on advertising) or you're a flop. Notice that TDK had the biggest opening weekend ever: is this an indicator of quality or fandom? Those people went to see the film because of franchising and advertising, and they probably already knew they would love it no matter what.

edit again: case in point, 2007 box office numbers:

1   Spider-Man 3 $336,530,303   
2   Shrek the Third  $322,719,944
3   Transformers $319,246,193
4   Pirates of the Caribbean: At World's End $309,420,425   
5   Harry Potter and the Order of the Phoenix $292,004,738
6   I Am Legend $256,393,010
7   The Bourne Ultimatum $227,471,070
8   National Treasure: Book of Secrets $219,964,115   
9   Alvin and the Chipmunks $217,326,974   
10   300 $210,614,939

notice how many hundreds of millions of dollars that is? Is it possible that the product being sold here is generic enough to please everyone?

compare to 1967 (40 years earlier)

1. The Jungle Book $60.964 m
2. The Graduate  $44.091 m
3. Guess Who's Coming to Dinner $25.500 m
4. Bonnie and Clyde $22.800 m
5. The Dirty Dozen $20.404 m
6. Valley of the Dolls $20.000 m
7. You Only Live Twice $19.389 m
8. To Sir, With Love $19.100 m
9. Thoroughly Modern Millie $15.455 m
10. Born Losers $14.750 m
 
Not all of these films are great: some are sleazy, others are action films geared towards males, but we have a musical, an animated film (Pixar films routinely place high today, but in 2007 Dreck the Third and Alvin and the Shitmunks beat Ratatouille), two dramas starring an African American who is not wielding guns, a Bond film, and two studio-financed "art" films (Graduate and Bonnie and Clyde), both transformational films about their generation. SOMETHING HAS CHANGED.

moral: the event film rules. if you want to make small films you have to put 'em on YouTube

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