Author Topic: The Revolt from Classical Dances  (Read 2206 times)

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Offline Valsurfer

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The Revolt from Classical Dances
« on: May 09, 2010, 09:53:12 AM »
    Today, dance is so much more advanced and independent than  it was a century ago. There are thousands of dance competitions, schools,  teachers, and students changing the dance culture even more. Currently, the  biggest dance competition for young people is the “JUMP!!” competition. Here,  they tour the world with many different dance teachers who are part of various  categories such as Ballroom, Ballet, Modern, and Jazz. Their job is to  revolutionize the hobby of dance, but my job is to tell you how the technique  in dance has changed over a century, and will continue to change.

  Ballet in the 1900’s was a very proper, up-right style of dance. Although dance  has been around since the time of the Neanderthals, Ballet was the first  established genre that was spread throughout the world. Ballet was most popular  in the 1900’s throughout Europe and America. If you were a ballerina or  danseur, you would be of a good family, probably wealthy, and you were  generally Caucasian. However, today you can come from any kind of family,  class, or race. As the years went by, dancers became tired of the strict rules  of Ballet. Dancers such as Martha Graham, Doris Humphrey, Lester Horton, Alvin  Ailey, and Isadora Duncan revolted against classical ballet, just as Martin  Luther went against the Catholic Church. These revolutionists brought new  styles to America, such as Asian styles and African styles. These dancers also  modernized Ballet in a way that will never be forgotten. (Percival)

  As mentioned earlier there was a revolt against classical Ballet. The major  influence of this change was Martha Graham. Martha Graham grew up in Santa  Barbara, CA. When she was growing up she had no dance experience so she decided  to take a class from another dance legend named Ruth St. Denis. When they  danced, they danced barefoot. Ruth taught her an oriental technique of dance.  She liked dance so much that she decided to continue with it. Soon enough she  was a choreographer who was teaching other people her style that complemented  oriental technique and Ballet. Her style of dance often included tension  between a pair of dancers, and a slow stretching in harmony of breath  throughout the choreography. (Martha Graham)
  Another person who changed dance forever was Alvin Ailey Jr. He was born in  southeast Texas and grew up in poverty. When he was growing up in the nineteen  thirties, African Americans didn’t have very much freedom. While attending  different schools he noticed that he didn’t fit in with the normal kids. When  he was seventeen he got a job at a theater and started taking classes.  Eventually he slipped into Saturday dance classes and started learning from  Lester Horton. Horton’s style was called “Horton Technique.” This type if dance  included African American dances and Jazz styles. As Alvin started to learn  under Horton’s wing he picked up the genre and started teaching it, himself as  a choreographer. Soon enough he had his own dance company and was traveling  around the United States on tour. After touring and choreographing a number of  different dances he opened a school, “Alvin Ailey African School of Dance.”  (Dunning)

  The popularity of Contemporary dance which is a newer, more modernized dance,  grew immensely in its first fifty years. It grew even more in its next fifty  years. In the 1900’s and 1950’s Contemporary dance was just beginning to be  realized in the world of dance. Ballet was starting to be eclipsed, and other  genres were joining together with Contemporary to begin a new age of dance,  which is exactly what happened in the 1950’s to the 2000’s. Ballet was begging  to be forgotten, and Contemporary dance was starting to become one of the most  popular dances to take as a profession. Now, in the 2000’s, Contemporary dance  itself has branched off into different genres. (Percival)

  One style that has taken a leap into popularity is Jazz. It started as classic  Jazz, which was usually a slow, sexy dance. A major dance historian who changed  Jazz in theater and in dance dramatically was Bob Fosse. Bob created his own  style name after himself; “Fosse Style.” He was at his highest point in his  career in the seventies, and thirty years later Classic Jazz morphed into  Contemporary Jazz. This change included going from dancing completely on one’s  feet, to dancing on the ground. Today many Contemporary Jazz routines are on the  based on rolling around on the ground in a mystical way. Much like Martha  Graham did in Contemporary Ballet, Jazz dancers usually dance barefoot in their  choreography.
  The change of Ballet has been the most important event in dance history because  it started as classical Ballet, and then went to Contemporary Ballet, now it is  Contemporary Modern. Contemporary Modern has taken some technique from  contemporary ballet, such as dancing barefoot and using tension between two  partners. There are also differences between the two, like Modern dances’  tribal technique that Martha Graham influenced. To this day Contemporary Modern  has become one of the most popular dances along side of Contemporary Jazz.  While Jazz can move in harmony with the ground; Modern moves in harmony with  the air. (Percival)

  Since Contemporary Jazz and Modern have been so popular, dancers have created a  dance that allows them not only to move with the beat of the music, but also  with the words of the music. Because the words of the song are called lyrics we  call this type of dance Lyrical. Lyrical dance uses a mix of techniques from  Ballet, Modern, and Jazz, and because of this Lyrical dance is considered a  melting pot of Modern and Jazz dance. Lyrical isn’t as tribal as modern, but  still uses tension between two dancers, just as it shares the characteristic of  using the ground as Jazz does. While dancing Lyrical you have to be able to be  in harmony with the ground, and music.

  The appearances of dance don’t only occur in competitions and classes, but they  also show up in Theater and on Television shows. In Theater, dance is used in  musicals that could range from a proper opera to a fun jazzy play. Two examples  of both genres of musicals are “The Phantom of The Opera,” and “The Producers.”  The Phantom of the Opera has a proper sense of dance in it that includes waltz;  a slow, on beat dance. On the other hand The Producers has jazz that is very  expressive. Dance is also used in the modern day television business. TV shows  like “So You Think You Can Dance,” and “Dancing with the Stars,” are completely  different from each other because “Dancing with the Stars” is based on an  elder, more proper style of dance, whereas “So You Think You Can Dance” is a  show suited for a younger audience that attach to contemporary dance, more than  ballroom.
  There is surely a possibility for further change in other styles. The change in  past technique, in such a short period of time, serves as an example. Some  styles that have this possibility to change are Latin and East Coast Swing.  Latin dance has already begun to change in several ways, like being more free  in the steps and not so strict, and breaking away from the category of  ballroom. Latin has no specific placement of the arms during a dance. Some  Latin dances include the Cha-Cha, Rumba, Samba, and the Salsa. East Coast Swing  has also become popular because it too, as begun to go against Ballroom  restrictions. Just as technique has changed over a century, it should continue  to do the same in the next century.
 

Offline vudu

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Re: The Revolt from Classical Dances
« Reply #1 on: May 09, 2010, 10:33:39 AM »
I know this is spam, but its pretty interesting so I'm going to keep it around.
Why must all things be so bright? Why can things not appear only in hues of brown! I am so serious about this! Dull colors are the future! The next generation! I will never accept a world with such bright colors! It is far too childish! I will rage against your cheery palette with my last breath!

Offline ShyGuy

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Re: The Revolt from Classical Dances
« Reply #2 on: May 09, 2010, 11:41:20 AM »
O RLY SOUNDS LIKE SOMEBODY COPIED FROM WIKIPEDIA TO MAKE THEMSELVES LOOK SMART

Offline vudu

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Re: The Revolt from Classical Dances
« Reply #3 on: May 09, 2010, 12:09:23 PM »
O RLY SOUNDS LIKE SOMEBODY COPIED FROM WIKIPEDIA TO MAKE THEMSELVES LOOK SMART

TJ?
Why must all things be so bright? Why can things not appear only in hues of brown! I am so serious about this! Dull colors are the future! The next generation! I will never accept a world with such bright colors! It is far too childish! I will rage against your cheery palette with my last breath!

Offline ThePerm

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Re: The Revolt from Classical Dances
« Reply #4 on: May 09, 2010, 09:49:32 PM »
funhouse it!
NWR has permission to use any tentative mockup/artwork I post