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Messages - Pandareus

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51
TalkBack / A Hole New World (Switch) Review
« on: March 08, 2018, 01:33:00 AM »

Purple is the spookiest color.

http://www.nintendoworldreport.com/review/46620/a-hole-new-world-switch-review

I sometimes find myself nostalgic for the times I rented Castlevania II: Simon’s Quest or Dr. Jekyll and Mr. Hyde with a friend. They were obtuse and had clunky controls, sure, but I found them fascinating. They oozed with weird hues of purple and neon green that you wouldn’t see in a Mario game, and they taught me to fear day/night cycles. I could never go back to them, however. They were legitimately poorly designed.

A Hole New World is a retro-style platformer that takes inspiration from those games, but is selective with what it lifts from them. For instance, take the controls: it uses only two action buttons for jumping and shooting, but allows the player to quickly switch weapons using the shoulder buttons instead of making one choose them from the pause menu. Same philosophy with the graphics; the game mostly sticks to the color palette and the resolution of the NES, but takes liberties by putting on screen giant bosses or huge amounts of enemies that would bring the 8-bit Nintendo hardware to its knees.

I’m fine with this.

I was also relieved to discover that the game is not nearly as punishing as its inspirations. Again, it has elements of old platformers: lives, hidden 1-ups, and continues. But as long as you have lives left, you are revived on the spot and lose no progress (except against bosses, where you’re taken right outside their room). What’s more, the areas you cleared of monsters aren’t repopulated until you choose Continue on the Game Over screen. And even then, you start back at the last checkpoint, not the beginning of the stage.

That is especially good news given how large the stages are. They are long, often several screens high, and each one has a mirror, nightmarish upside-down version of itself that you visit whenever you jump into a pit. When in the inverted world, the physics are inverted as well, meaning you are walking on the ceiling. Your controls aren’t inverted, however: you still press down to duck. That takes some getting used to.

Exploring for secrets is a real joy. Beyond helpful 1-ups tucked away behind fake walls, the world is peppered with odd visual gags that made me smile. Early in the Castle stage, you can enter a dungeon cell and find two people deep into a game of Go. A demon erupts from under the board, disturbing their game. Dispatch the enemy, and the players pick up their pieces from the floor and resume their game, paying you no attention. Finding events like this one is strangely rewarding, and when you finish the game, a screen hints at what other cute one-off sprites you may have missed.

Unfortunately, in modernizing certain elements of old-school platformers while trying to preserve their charm and some of their trappings, the developer hasn’t managed to strike the right balance in terms of difficulty. The extra lives I regularly found throughout stages allowed me to stave off the Game Over screen until the very last stage. There, I used my first two continues. And then, against the final boss, I used 33 more.

That’s right: I had to throw myself at the final boss nearly a hundred times before I could defeat it. I guess it’s not a completely unfair fight since I eventually triumphed, but it required a level of precision nothing in the game prepares you for. It didn’t help that in the heat of battle, I would to forget which button was Jump and which was Shoot… and eventually I realized that part of the problem was that Jump is mapped to the B button, and shoot to the A button. A Hole New World overtly references Mega Man, Castlevania, or Ghost ‘n Goblins, yet inverts the controls all those games use. I can only imagine I’d have had an easier time had the controls been properly mapped.

A ray of hope in the horrible night: the developer’s Twitter account has announced that the game would be patched to let us control the game with the X and Y buttons as well. But will they let us map them how we want? I have no idea.

Despite the difficulty spike at the end, I really enjoyed playing through A Hole New World. The game scratched a very specific itch for me, and despite its problems, it ended up giving me a far better experience than revisiting the fascinating, clunky horror games of my childhood would have. Let’s hope the planned fixes elevate the game even more.


52
TalkBack / Subsurface Circular (Switch) Review
« on: March 01, 2018, 04:05:00 AM »

Surface level.

http://www.nintendoworldreport.com/review/46552/subsurface-circular-switch-review

Subsurface Circular is a “Bithell Short”, a game from the developer of Thomas Was Alone made in the span of four months as a palate cleanser of sorts between bigger projects. It is a short interactive story where most of the gameplay consists of choosing between dialogue options.

In a future where sentient robots called Teks have replaced humans not just in low-skilled jobs, but also in psychiatry or sports, you play as a detective who, in the subway, runs into a Tek asking you to look into a friend’s disappearance. You normally get assigned cases by the Management (the humans on top), but decide to take on this task, otherwise a short game would be even shorter. From there, you never leave your subway car, but instead interrogate the Teks who come in to see if they’ve seen anything suspicious.

The game has a couple of dialogue-based puzzles and a pretty kicking soundtrack. It even cleverly uses the Switch’s HD rumble feature to simulate the feel of a train stopping and going. However, this type of game lives and dies by its writing. Neo-noir stories where robots with minds of their own stand in for oppressed minorities is a popular subgenre of science-fiction and one I’m very familiar with, so I set out to do my best and choose the dialogue options that would get me to the bottom of this mystery. Always polite and often keeping the fact that I’m a detective to myself, I questioned robot nannies and construction workers to learn if they were aware of strange happenings. I had the case solved after a couple of hours of reading.

Turns out I could have been rude and unsubtle and still solved the mystery, as most dialogue choices barely have any impact on the way things unfold. One of the most significant changes in my second playthrough is that I nicknamed an old Tek “Rusty Piston” instead of “Grandpa”. The interactivity in this game is minimal, to say the least.

So when I say this game lives and dies by its writing, I mean it. And unfortunately, the more I thought about the game and the world it describes, the more it fell apart.

After the first playthrough, you unlock a developer commentary option. In it, the developer states that it was very much their intention to make a political game. The game is not subtle about, on one level, Teks standing in for immigrant workers. But if you’re going to write an allegory with robots standing in for humans, you run the risk of unintentionally saying something gross.

For instance, your interviews reveal discontent amongst humans because Teks have taken their jobs. You can choose to reply in disbelief “But that’s against their best economic interest!” or “But we’re doing the jobs they won’t touch!”, as if you could appeal to the financial sense of bigots to make them accept the other. As if “they’re good for the economy” was the best reason, the most moral reason, to treat others with dignity.

Add to this the fact that the robots you meet in this game have no inner life, not even a fake one like the replicants of Blade Runner 2049. They are 100% their job. Their very personality is set to match their occupation. Despite the game’s efforts to humanize the Teks, by having them demonstrate emotions for instance, they were never a convincing simulacra of humanity to me. It made a would-be gut-wrenching dilemma late in the game rather clear-cut. And again, if the goal of the developer was to have the player empathize with the plight of immigrants, I wonder if having robots standing in for them would have the opposite effect. On the commentary, the developer admits the allegory isn’t perfect, but I would argue it’s downright harmful.

Outside of the janky allegory, the game touches on other interesting themes, but never explores them deeply enough. It is stated for instance that private ownership of Teks is illegal and that all Tek athletes, psychiatrists, librarians, or nannies are government-owned, yet only the wealthy can afford their services, meaning this isn’t a post-capitalism society like in Star Trek. What does that look like? How many people has poverty killed? I find it weird that a game that aims to be political doesn’t even try to explore these questions.

I don’t believe I am thinking too deeply about all this: getting the player to think about the consequences of increased automation and the power structures that lead to inequality and scapegoating is the whole point of the game. I think it’s commendable and I have no doubt the developer had the best of intentions, I just hope that next time they handle such serious questions with more care.


53
Podcast Discussion / Re: Episode 557: Corrugated AIBO
« on: February 06, 2018, 12:15:00 PM »
Yeah, I tried to be upfront about the fact that I barely touched it. The game just lost most of its appeal when it became clear Karen wasn't interested in playing co-op. I just can't see myself going online to play this one.

54
Towards the end, when Greg announces the ending music, the topic of Muscle March is brought up. I believe Jon cracked that joke.

55
Podcast Discussion / Re: Episode 555: Cardboard Box Hunter
« on: January 22, 2018, 07:50:00 AM »
I think the issue may have happened during the uploading. Try deleting it and redownloading it now.

56
Podcast Discussion / Re: Episode 548: Podcasters of Influence
« on: November 20, 2017, 10:40:19 AM »
If that's the way she comes across to you, it's probably mostly my fault and is the result of my editing combined with a less-than-stable Skype call. She'll say "Moving on" to keep the conversation flowing and on track, which is often needed on RFN. I'll be more mindful of the way I edit coming back from interjections that stop one's train of thought, but I assure you that during recording, we don't find her rude or monopolizing the conversation.


You're going over the line with your comment, FL. There's a way to criticize with kindness.

57

Are you saying that you're not enjoying coming across as overly critical and negative, and that before you even said anything you knew people would make a big deal out of your light criticism and would act overly defensive? That you're a big fan but had some issues with the latest that came out, and it brought you down?


I can't imagine what that's like.




Look, I'm sorry for being snarky but I tried to be mostly positive, it's just that no one else seemed to have the same feelings about the game as I did, so I had to express them. I know some listeners feel the same way I do, and I don't see a reason to not express that point of view. The alternative would have been to shut up, which is largely what I did for the one hour Odyssey conversation between James and Greg on 547, so go ahead and enjoy that.


I may have some more positive things to say in future episodes, as I find aspects of the game I like more. But the collectathon nature of the game isn't something I enjoy, and unfortunately it's prevalent and unavoidable when playing through the game.

58
Yeah, I feel like I had covered pretty much all the bases: I conceded Odyssey's co-op might be useful in the context of helping a child play through the game but isn't fun with an experienced player. I don't find controlling Cappy fun, and Karen doesn't WANT Cappy control taken away from her.


3D World is my gold standard for 3D Mario co-op.


All of this was covered in the episode itself.


As for the negativity, it's not something I wanted to bring to the podcast, but it just resulted from just liking a game everyone else LOVES. I made sure to state more than once that I wasn't as down on the game as I came across, and that it just came down to my preferences.

59
Podcast Discussion / Re: Episode 544: Let Me Tell You about the SG-1000
« on: October 23, 2017, 11:26:18 AM »
I want a public library that has Nintendo games like the G-man has. Although I always feel slightly judged by the librarian based on the books I'm checking out. I deliberately mix in a few high-brow books I have no intention of reading just to throw them off.


Librarian definitely did a double take when he saw the cover of The Binding of Isaac.

60
Podcast Discussion / Re: Episode 541: Toad of a Particular Colour
« on: October 03, 2017, 03:16:21 PM »
Well in that case I have an issue with the basic design of the game: the size of the levels, the constant stop-and-go navigation, and the lack of checkpoints when a bit of bad luck can wipe out half an hour of progress.


I think overwhelming players and punishing failure harshly can work well if we're talking 3 minute long Overcooked levels, but it's not so fun in a game about exploration.



I did lower the difficulty down a notch after the recording, and the game has become less frustrating and more enjoyable to Karen and I as a result.

61
Podcast Discussion / Re: Episode 538: Stop! Or My Mom Will Shoot
« on: September 10, 2017, 10:40:48 PM »
Ugh. There goes any guilt I might have had playing The Simpsons Arcade on MAME, then!

62
The podcast has been around for 11 years, i.e. for nearly as long as Nintendo has had online games. If you're looking for RFN giving Nintendo credit for what it's done well on DS, Wii and Wii U, that's where you'll find it.


Reiterating every time the topic of online services comes up that there are online Nintendo titles we've enjoyed would be, frankly, tedious.


If you can't revisit 11 years of podcasting, on this very episode you can listen to me saying I'm enjoying playing an online game on the Switch. Us being critical of the way Nintendo is handling online on Switch in the second segment doesn't erase that.


So yes, obviously, we've been enjoying free online for a while, in quality, fun games. The question was related to the roll out of Nintendo's online app which, I remind you, only allows voice chat in limited game modes and is of little help trying to set up games with friends. It also stops working the second you let your phone's screen fade out, which is unacceptable.


The question was also about Nintendo charging a price for playing online at all in the near future. Given what we've seen so far of the app, it's hard to see this move as something other than Nintendo taking away free online play in exchange for an app that doesn't work.


I think we were fair.

63
Podcast Discussion / Re: Episode 536: Yoshi Facts Matter to Me
« on: August 30, 2017, 11:37:04 PM »
Eh, maybe it wasn't all reviews, and I should have said instead that it's my impression from reading IGN back in those days. Them being divided into Sony, Nintendo and MS channels lead to some pretty nutty hyperbole, and each hyped release had to be bigger and better than the competitor's last.

64
I fully expect MK8D to be the only MK game on the Switch. That's why I'm waiting for DLC that appeals to be more than the few extra characters and the battle mode that the Deluxe version adds to the Wii U release.

65
TalkBack / Re: Now We’re Playing With Power
« on: May 15, 2017, 04:07:52 PM »
The problem as I see it with the limitations of the Switch, notably the fact that it's "delicate" as you put it, is that they make it more appealing than the Wii U to me, but less appealing and convenient than the 3DS in most situations.


Once I get a Switch, I see myself only using it at home or when I've reached my destination: a friend's home, a vacation spot. But between points A and B? It will remain safely tucked away so as not to scratch its unprotected screen or tempt a thief with a $400 CDN piece of electronics.


Chances are, that friend's home or that vacation destination will have a TV, so I'll probably want to carry the dock as well, and perhaps extra controllers. That hardware will be easier to lug around than the Wii U's, but that's not saying much.


For bus rides or flights or trips for which I want to travel light, the 3DS is way more convenient and the Switch will stay at home.


Nintendo's marketing has positioned the Switch as a home console that you can take on the go, and that sure is the way I see the console as well.

66
Podcast Discussion / Re: Episode 520: MY NACHOS ARE ON FIRE!
« on: May 02, 2017, 11:34:12 AM »
I'm sorry if I didn't have much to say. "What Brash Games did was bad" is the coldest of takes, and it's all I had.


The conversation about working for NWR being a formative experience missed me because I came into NWR as a fully formed adult already, with a steady job and absolutely no intention of breaking into the games writing market.


I guess I could have spoken about how I justify to myself spending an afternoon a week editing the podcast. The basic gist is that podcasting looked fun so I tried my hand at it with my own biweekly podcast, and when I got recruited to edit RFN, a podcast I loved then and love now, it seemed like a trade up and a way to make sure RFN kept going. The fact that no one else on the site gets paid was also a consideration, but that was mentioned on 520 already.


I treat it as a time-consuming hobby. I made sure when I came in that I would be able to get breaks occasionally and so Jonny and then James picking up the work a lot of week-ends has helped tremendously. And I'm constantly looking for ways to save time to make it easier for myself and make sure I don't burn out.


None of this has much to do with the Brash Games question, hence my silence.

67
Podcast Discussion / Re: Episode 517: Survey Says
« on: April 11, 2017, 08:47:03 AM »
I see people bringing up Drake's body count in the Uncharted games all the time. I know it struck me when I played them, and I talked about it on social media. But reasons to talk about that series don't often come up on a Nintendo podcast.


It's true we could have spent more time discussing violence, but a) the email specifically focused on sexual and religious content (and SMT and Bayonetta were the examples provided) and b) personally, I think I flat out never really played any shooter in front of Karen. So we never had a discussion about them the way we discussed Bayonetta.

68
Podcast Discussion / Re: Episode 511: Wordplay Ahead
« on: February 28, 2017, 09:54:55 AM »
My experience playing Disaster: started it with a crowd of IGN forum-dwellers meeting for mostly the first time. We all made fun of the opening scenes, shouted "Steeeeve!" with abandon. It was great.


Trying to play the rest of the game later on my own really didn't live up to that.

69
Podcast Discussion / Re: Episode 510: Kutar Hero: On Tour!
« on: February 28, 2017, 09:52:12 AM »
Jon's reaction was cut off by me getting back on the call. Sorry!

70
Podcast Discussion / Re: Episode 507: Get Pooched!
« on: February 06, 2017, 10:32:08 AM »
There being just the one town is one of the refreshing things I liked about it, actually. I don't care much for getting to a new town and having to find and talk to every NPC before moving on. I mean, I do it, but I don't particularly care for it.


I loved having a one stop shop for all the gear in the game, one stop for all the quests. Loved the streamlining, and thought they could have pushed it even further.


It's a dungeon-crawler for sure, even if it looks like a traditional DQ-inspired RPG.


Stay away from Etrian Odyssey.

71
Podcast Discussion / Re: Episode 507: Get Pooched!
« on: February 03, 2017, 04:47:00 PM »
Oh, that's encouraging, Oedo!


My twitter feed wasn't as encouraging, especially a friend of mine who kept raging against the game and especially the final boss, which he had trouble beating. Said it was one of the worst games he played that year.


Then again, he said the same of 7th Dragon. "Too easy".


I'm currently exploring the Aeolus Vale in the present, in DQ7. Still enjoyable. But I kinda wish the ending were in sight, and yet I know I'm about maybe halfway through the game. I'll probably take a break before I burn out.

72
Clex - My point wasn't that you have to enter too many buildings in MML, it was more of a general observation about 3D games: going from 2D to 3D, towns became town-sized, which makes them longer to traverse, which IMO is to the detriment of pacing.


MML isn't the worst offender, but even with Kattlelox (and you call yourself a fan, smdh) being compact, I still find it annoying.


For what it's worth, I'm still playing the game. I'm in the Clozer Woods sub-gate, and enjoying MML a bit more now than I was when we recorded.

73
Podcast Discussion / Re: Episode 492: I Can Do a Lot of Things with One Hand
« on: September 13, 2016, 09:28:19 AM »
I kinda forgot that the samples I used were from Listener Mail and so hadn't been heard yet. I messed up and it didn't come out the way I wanted it.

74
Podcast Discussion / Re: Episode 490: Puzzling in Progress
« on: August 28, 2016, 04:56:34 PM »
Itunes and/or Chapter and Verse were being uncooperative this week, so let me know if the file isn't playing properly for you, and in the meantime, use the MP3 version.

75
Podcast Discussion / Re: Episode 489: Mario Party 9-alism
« on: August 22, 2016, 11:22:35 PM »
I said it was fun!

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