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Originally posted by: Kairon
And Cowboy Bebop did have the strong points of their musical choices and their slight twist on the future-western genre (which, really, is not exactly brand new), but in the end it still contains anime throwbacks like funny/silly/non-sensical/genderless Ed, self-pity in the form of "we-can't-afford-food-let's-eat-the-last-ramen," and stereotypical femme Faye. Again, all this IMHO after watching a handful of episodes and watching the movie.
Well IMO it's success in America is really because it does one thing that most anime can't (and don't try to) accomplish, and that's feel sort of American. The music, the visual style, and I guess even the stereotypes are stuff the general public over here can relate to, making it a no-brainer for TV and being a key component in the anime boom in the states this decade. The good in Bebop is just that it's a whole lot of fun. Mostly self-contained stories about a likeable cast that gets into hijinks; a very American way of cartoon storytelling.
The movie also played out in this fashion, as a very long episode.
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The thing that irks me most about most anime is how much it panders to it's own cliches, panders not references or pays homage to, and how transparent an attempt it is to capture a sense of hip coolness that it can translate into merchandising and a fanbase almost as if it had been demographically studied. In essence, I rarely see art in anime, and I rarely see an attempt at it, and I much, much, rarely, see any success in that attempt.
Well truthfully, most anime are straight adaptations of popular manga stories, which are published in very demographically studied manga magazines.
Many of the most popular anime adaptations come from the Shounen Jump weekly (in Japan) publication, which is targeted at a younger teenage, typically male crowd. That's not to say a Death Note (which is getting an anime in the fall) that is totally opposite in theme and style doesn't come along every once in a while though. If you're looking for more stories that have more artistic value, manga would be the way to go if you aren't averse to the comic medium. Plus the current manga boom has brought over a ton of niche titles that wouldn't otherwise have made it over here. Though honestly many of the off-beat artistically driven ones are still few and far in between. Not unlike hollywood movies these days though!
There's been a growing trend of novels being converted into anime as well, and from what I've seen in people's reactions some of these shows can sway even the most hardened anime hater.
Stuff like the Crest series (Crest of the Stars, Banner of the Stars 1-3) and Twelve Kingdoms on the surface may feature typical sci-fi and fantasy themes, but very atypical storytelling for an anime. Kino's Journey, Gankutsuou (Count of Monte Cristo; I suppose this counts), The Melancholy of Haruhi Suzumiya, Shana and Trinity Blood, all from novels, all have a quality story underneath.
I would also recommend the aforementioned Monster. It's lengthy and features an unconventional plot and cast for an anime, and is targeted at an older crowd. Therein lies the problem though; its audience isn't the average anime buyer here in the states, and during the current anime downturn where only stuff pegged to be huge TV hits can survive, it may be a long while before it ever sees the light of day here. The manga is available however.
And since you mentioned Tokyo Godfathers, perhaps check out Satoshi Kon's other works like Perfect Blue, Millennium Actress and the TV series Paranoia Agent. For the latter I can attest to it's quality, and it is especially similar to Tokyo Godfathers. Maybe even check out Yoshitoshi Abe's catalog, being Lain, Texhnolyze and Haibane Renmei.